This processor uses peak clipping rather than the usual peak limiting to control peaks in the audio program, and provides you with another dynamics control option. In addition to standard compressor controls, you get a Sidechain High-Pass Filter knob, which lets you filter out low frequencies going to the compressor, and a Stereo Enhancement knob for adjusting the width of the stereo image. As you would expect from a quality tube device, it gives you a big and warm sound, and is great to use on individual tracks and in mastering situations. This module is an analog-modeled emulation of a high-end tube compressor. Our Linear Phase Equalizer offers those sonic advantages, and is also extremely flexible, with each of its six fully parametric bands offering a choice of filters and knobs for frequency and Q. It’s also great for controlling level on individual tracks or busses in a mix.Ī linear phase EQ uses different types of algorithms that allow for equalization that’s more transparent and natural sounding than a standard equalizer. The T-RackS CS Brickwall Limiter features multi-algorithmic operation, and makes it easy to turn your masters up really loud without squashing them.
Opto Compressor provides a very accurate recreation of an optical compressor’s circuit, and delivers compression without any distortion or artifacts.Ī brickwall limiter is a useful tool in the studio, because it creates an impenetrable barrier that your digital audio can’t break through, allowing you to turn up your tracks without creating digital distortion. This type of circuitry provides a very gentle, smooth compression that’s more transparent then compressors that add color, and is preferable in some situations. Optical compressors work on a different principal than tube or FET units, using a light source and a light sensor to govern the amount of compression. Our painstakingly produced model gives all the functionality of the original unit and uncannily accurate sonic reproduction. Vintage Tube Program Equalizer is based on it, and uses our DSM and SCC technologies for extremely accurate modeling. In virtually every major studio, you’re likely to see a distinctive blue unit with big black knobs the Pultec EQP-1A program EQ. Many top producers and engineers refer to the Fairchild 670 that way, because it imparts a sound that adds something special to any kind of track, and our emulation captures that sonic magic for a tiny fraction of what one of these rare and very valuable hardware units would cost. Vintage Tube Compressor/Limiter model 670:ĭid you know you get the Holy Grail in this collection? Well, the Holy Grail of compressors, anyway. It can be opened inside the T-RackS plug-in or as an individual plug-in inside your DAW host. In addition to the 9 processors, you also get the T-RackS Metering suite, which features a variety of useful meters including peak and RMS, a spectrum analyzer and more. The T-RackS CS plug-ins support all major formats, including VST, RTAS, AAX (32 and 64-bit), and Audio Units. You can also open the T-RackS CS plug-in, which offers the same routing and flexible setups as the application, or open the modules individually as plug-ins. But that’s just one of the ways you can use them. Not only are each of these processors amazing on their own, but you can open up to eight of them together within the T-RackS Custom Shop application, which makes it easy to try different effects chains, turn processors on and off, and switch their order. It features nine analog-modeled or digital processors and it instantly multiplies your studio’s power, many times over. T-RackS CS Deluxe provides the tools you need to take your mixing to the next level.
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